Each culture celebrates the holidays differently, and I love how Yvette’s family celebrates! When you’ve read her story, look up the wonderful books she’s written, pick one, and dive in! You’re in for a treat!
I don’t know about you, but I’ve been confused about keywords and how to use them in marketing my books, not to mention my blog. Prolific author and editor, Karen Black, has made them easy to understand. She’s provided tools and has given me the confidence to use them. Check out her informative article, printed in the Fall, 2024, issue of The RRBC Pipeline Magazine.
Please leave Linda a comment below or anywhere along the tour, for your chance to win one of her awesome giveaways!
Welcome to Day 7 of the REIMAGINING NEON Blog Tour! It’s an honor to introduce Author Linda C. Mims and her exciting, newly reimagined book, THE NEON HOUSES. I loved the characters in the original story, and I’ve preordered my copy so I can get reacquainted with them.
It takes a vivid imagination and a good deal of research to create a world that does not yet exist. Details matter, especially when they differentiate between cultures. Take food, for example.
Linda, how does food define the cultures in 2087?.
BUT WHAT ARE THEY EATING?
The Neon Houses, set in 2087, depicts two worlds. One world shows a food desert where food is genetically modified, dehydrated, plant-based and powdered—if there’s food at all. The other world is a cornucopia of real meat, vegetables, poultry, eggs, fish, and fruit.
The main character, Noel Kennedy, has her feet planted in both worlds and is unapologetically sympathetic to the needs of the citizens in the Southland. When we first meet her, hurrying to the home of a recently murdered student, she’s leaning out of the passenger window yelling bloody murder at a thief who has just snatched a bag of groceries from an old man.
Back home at the annual barbeque she and her husband famously host, we see disks laden with platters of smoked meats, grilled vegetables, desserts, and other delectables. These dishes sail through the air, over the heads of guests who use remote controls to land a disk, or they summon human androids to take their orders. This scene is two-fold, lavishly contrasting the two societies, and setting the stage for the next murder.
Noel’s nemesis, Warren Simpson, is a cunning, ruthless villain who rules the land that borders the southern outskirts of her city. He is a thief and the purveyor of illegal goods. Yet, when his nephew is accused of murder, Warren discards that theory. The kid isn’t like him, and murder is the farthest thing from the kid’s nature.
Simpson gathers his family around the dining table to plot murder, set-ups, and surveillance. During the meal, readers see dishes of roasted beef, whipped potatoes and gravy, green beans, fresh tomatoes, and warm bread spread out on a snowy tablecloth. Simpson’s wives, their children, and his young adult nephew surround him. When the food isn’t served quickly enough, his nephew makes smacking sounds and bangs his silverware on the table. Simpson cuffs him lightly. The scene is normal, almost endearing, and allows us to see the human side of the villain.
In undeniable New Chicago tradition, soy-dog stands, and taco stands dot the area near downtown. When a call comes over the radio warning Noel and her husband they’ve been spotted while scouting the primary suspect, they’re under the on-ramp of the Kennedy Expressway eating at a taco stand that’s located there. Before they hightail it, Noel takes a moment to wipe taco sauce from her husband’s mouth.
Fifty years into the future, the world has changed, but food, family, and gatherings remain the same—maybe more for my sense of normalcy than the characters’.
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EXCERPT FROM THE NEON HOUSES:
Noel and Dickey stood at a little taco stand on Morgan and Lake and ordered the special with cola spritzes.
“I’m too old to eat this junk,” Dickey said.
“I know.” Noel laughed. “But we don’t want to go too far away, in case Harlan calls. I figure we can eat this and get back before Jessica’s date is over. I want to see his face. Hell, I want to touch him.”
“You see that car?” Dickey asked, nodding toward a vehicle that had made a U-turn and was idling on the opposite side of the street. “I’d swear it followed us from the restaurant.”
Noel nodded. “That’s Warren Simpson’s men. They’ve been following me since the day Lord Nelson’s man chased me from shantytown.
“This isn’t us, Noel, and as soon as we get out of this, we’re never doing it again. Promise?”
She smiled as she wiped taco sauce from his mouth with her napkin.
Blurb:
What would you do if you were the daughter of a cult hero who boasted a past full of exciting, colorful exploits?
Suppose the thing that made your mother a cult hero was also inside you.
Now, imagine spending your whole life trying to hide it—until you shared the heart stopping death of someone close to you.
Supposed that death brought you face to face with the gift of the neon houses.
New Chicago and its neighboring town, The Southland, are vastly different worlds in circa 2087, but Dr. Noel Kennedy is an expert at navigating both worlds. As the Deputy Chief of Schools in The Southland, Noel has perfected being a solid, middle-class citizen. Not even her husband, Fredrick Kennedy, truly understands what she is.
When Zarah Fisher, Noel’s young protégé, is murdered on a deserted street in The Southland, Noel knows the exact moment Zarah takes her last breath. Though miles away, Noel feels the girl’s terror, and hears her anguished screams inside her own head because of an inheritance that has left her with extraordinary gifts.
Can Noel find justice for Zarah without risking it all?
Murder, mayhem, and suspense abound in this action packed page-turner. More than a mystery, The Neon Houses thrills the reader with scenes of a futuristic 2087. Autoplanes, body planes, and flying buses are the norm. Robots and androids cook, clean, and serve the affluent, while dystopia lurks just around the corner.
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You are invited to connect with Linda via her social media outlets below:
LINDA MIMS is a writer, a dreamer, and an educator, who hails from a quiet village just south of Chicago. Her stories are mainly about urban characters who are engaged in mystery and mysticism. Her hope is that while entertaining and informing, she’s also sending the message that humans aren’t that different and all each of us want is a better world.
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To follow along with the rest of the tour, please visit theAUTHOR’S TOUR PAGE on the 4WillsPublishing site. If you’d like to book your own blog tour and have your book promoted in similar grand fashion, please clickHERE. Thanks for supporting this author and her work!
Introducing the WATCH RWISA WRITE2022 Anthology, “Life Is But A Rose Garden,” debuting on Amazon today for only $2.99! We invite you to take a look at the promo for this little gem below, and lastly, we ask for your support by purchasing a copy, as well as spreading the word of its release via your own social media!
Friends, thank you for dropping by today in support of this new release! We hope that what you find between the covers brings you much joy and pleasure as you read it, and we also hope that some of what you find here will give you pause – just a little pause, though, before you hop to your feet and spring into action! There are many calls to action in this little gem!
Thank you, again, for dropping by and we’re thanking you in advance for your support of this delicious little treat!
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SPECIAL NOTE: We ask that while reading this anthology, should you find any hiccups in the way of misspelled words, we would greatly appreciate you dropping us a note at RWISAInfo@gmail.com to let us know, so that we can make the correction(s) immediately! Thank you!
Thank you for stopping by! I’m honored to welcome #RWISAAuthor, Lisa Kirazian to my blog today. Lisa is the RAVE REVIEWS BOOK CLUB’S first “SPOTLIGHT” Author of 2021, and she has a new book out, CADENZA! It is my pleasure to introduce you to Lisa Kirazian. Welcome, Lisa!
Where did this idea come from?
Lisa Kirazian’s Cadenza and
“The Music We Made” series
It’s an honor to write this guest post — and to be RRBC’s Spotlight Author for February!
I’ve blogged about this in the past but that was before I wrote Cadenza and completed “The Music We Made” series. Now that I’ve finished it, I see this writing journey in a new light – the whole trajectory of it.
I first got the idea at age 14 standing in the driveway of my violin teacher’s home, waiting for my mom to pick me up. The story started brewing of a violinist and her conservatory instructor and the awkwardness of their working relationship (because I had a drama teacher at the time who was awkward that way.) The idea kept brewing for the next few years.
Then in college at age 18, I started writing the script — a screenplay. First called The Last Ovation, it was totally melodramatic and over the top. But the start was there — sister and brother musicians leaving a tough family situation to study in London in the late 1950’s and early 1960s, meeting their lifelong friends, enemies and loves along the way.
But it was still not all the way there yet.
At age 24, I went on a summer mission program in Armenia, teaching English and engaging with students in my homeland, post-Communism, during the war with Azerbaijan. You’d think that all my journals and notebooks would be filled with the awakening that came from being in my ancestral land for the first time. But they didn’t (that would come later). What did come is the outline for a six-hour miniseries, newly-titled, The Conservatory. When I got home, and for the next few years, including a research stint in London, I wrote the six one-hour scripts. Then upon realizing I had to rename the work (because a conservatory in London is a greenhouse!), it became The Music We Made.
Shopping the script around (long before Downton Abbey and other innovative series), I was told by producers, “You can’t have a miniseries that’s not based on a book or a famous person. You can’t have an original miniseries!!” Now, of course, they are all over the place. But at that time, because of that feedback, and to have an extra layer of story protection, I took the challenge and wrote it as a book, now around age 30. And that six-part miniseries became the novel Bravura. I worked and worked on it and then put it down for a while, during playwriting stints, and of course having kids. It was published 14 years later, in 2014.
Writing the novel Bravura filled out the experience of the story for me. While on camera I could explore the audio-visual whirlwind of a musical performance with a soloist and orchestra etc., in a novel I could explore the inner narrative going on inside a musician’s mind and heart when they prepare and play. And I found new scenes emerging that I had to get down. Before I knew it, I realized that I had to keep writing this story and continue to the next generation of the Driscoll family of musicians.
So, then I wrote Appassionato, the first book written as a book first, not as a script. I continued the next generation, focusing on composer/conductor Jenny Driscoll, who appears briefly but memorably at the end of Bravura. I drafted it during National Novel Writing Month (NANOWRIMO) in 2014-5. It was published in 2018.
I did the same in drafting Cadenza in 2016, through NANOWRIMO. And it was just published in 2020, the year I turned 50. The trajectory of this writing journey has gone from age 14 to 50.
And just when you think you’re done, and there’s no more story to tell, and no one knows better than you do, a reader comes along, like a friend of mine just did to me, and says, “I hope you’re working on the next one.”
In CADENZA, the final book of “The Music We Made” series, the young tenor Brian Martin finds himself on the cusp of superstardom and marriage, until he is compelled to leave behind his distinguished musical family, and his fiancé, in London, to visit the U.S. to see where his famous late grandmother, Maggie Crawford, the only other opera singer in the family, grew up. His journey takes him to Marshall, Minnesota, and Maggie’s hometown high school, where he meets the music teacher, Laura Jones, who helps him with his family history in more ways than he could have imagined.
Author Bio:
Lisa Kirazian writes fiction, plays, screenplays, and also directs for stage and screen. Her writing has appeared in the Los Angeles Times, Performing Arts Magazine, San Diego Union Tribune and many other publications. She is in demand as a speaker and has been a guest on KPBS Public Radio and at various conferences. Lisa is a graduate of Stanford University.
Several of her screenplays have placed in major competitions and festivals. Twelve of her stage plays have been produced across the U.S. and have won numerous awards, including a few publications. She also directed and wrote the adapted screenplay of the short film, “Reflection Day.”
Her novels include BRAVURA, APPASSIONATO, and now CADENZA, the three books of “The Music We Made” series, following three generations in the Driscoll family of musicians and inspired by her experience as a violinist. The series is also being developed for television.
Lisa lives in San Diego with her husband and two daughters and is involved in the Armenian community locally, nationally and abroad.
Thank you so much for dropping by today to show your support of RRBC’s February “SPOTLIGHT” Author, Lisa Kirazian! To follow along with the rest of her tour, please visit the “SPOTLIGHT” AUTHOR forum on the RRBC site. And please, take your support two steps further by leaving her a comment below and also picking up a copy of any or all of her books!
Please help me welcome our guest blogger, Robert Fear. I have enjoyed getting to know Robert through #RWISA and through his entertaining memoir SUMMER OF ’77. He has much to share with us!
Welcome, Robert. We’re so glad to have you with us today!
Robert Fear
Welcome to the second day of my 4WillsPub 3-day blog tour.
During this tour, I am sharing with you some background to the three memoirs that I have self-published. As a special offer to readers of the tour, I have reduced the Kindle price on each book to 99c/99p (RRP $4.99/£3.99) on Amazon US and UK.
Here are the links to the memoirs that are being featured:
It started for me back in 1992 when my father, John, became frail and was confined to bed most of the time. Visits to the hospital became more frequent, and the doctors were talking about months, not years.
John had been working on his memoirs for several years and had already typed up many of the chapters. He also had plans in place for finishing the remaining chapters of his book. Now he could not continue, and my mother called me to see if I could help. I was more than happy to get involved.
In the evenings and at weekends I sat at my computer and transcribed the chapters that John had finished. I printed these off and sent them back to him. It was a period of reconciliation between father and eldest son as we discussed changes and planned for the missing chapters.
During the months following his death, I continued working on John’s memoirs with the help of my mother and brother. In 1994 we printed a limited-edition under the title Exclusive Pedigree. If it had not been for a chance remark, the life of the book could have ended there.
Towards the end of 2015, I was visiting my mother for a few days and gave her a paperback copy of the second edition of Fred’s Diary 1981, which she wanted to read. Our conversation turned to self-publishing, and we started talking about John’s memoirs. Then came the bombshell from my mother, “Did you know Rob, that John always wanted to have his book professionally published?” I had another challenge ahead.
My father’s memoirs were published in July 2016. I think John would have been proud of the finished result, a fabulous tribute to his life entitled Exclusive Pedigree: My life in and out of the Brethren.
Favourite Review
To follow along with the rest of the tour, please visit theauthors’ tour pageon the 4WillsPublishing site. If you’d like to book your own blog tour and have your book promoted in similar grand fashion, please clickHERE. Thanks for supporting this author and his work!
Blurb: This is a second edition with updates on the state of this historic church. In the original publication files were lost then resurfaced with content altered along with missing photos during transition from one publisher to another. Such is the fate of an Independent Author.
This book evolved out of years of frustration at the total disregard and lack of respect for the contributions of Black Catholics in the city of Detroit. The author says, “We are not mentioned in the pages of history along with the other Catholic churches that sprung up during the World War II era, and that needed to be corrected.” The author did fulfill one dream since publication … that this church can now be found on the web even though it has merged with another church. It is now called Presentation-Our Lady of Victory Catholic Church.
In the past, nobody would have taken notice of Iroko, the biggest and tallest tree in the forest. But then, cities started to grow and to eat into the forests. Trees were cut to make way for the growing cities. But the Iroko tree resisted being cut down. Any time an axe cut the tree, the axe either broke or the cut bled, real blood., and cries, ear piercing cries, like human cries were heard coming from the tree.
In the forest, next to Iroko, lived an old woman in a tiny mud hut. Bent by age, she diligently cared for the tree. She was known as the eyes and the mouth of the tree. She listened to the tree, when the leaves rustled and interpreted the language of the tree to outsiders. She was called Nne Oji. Oji is the Igbo name for Iroko, and Nne Oji means Iroko’s mother. Iroko was as tall as a skyscraper, about one hundred and seventy feet high, and the width was as wide as fifty men surrounding the tree with outstretched hands, fingertips touching. Iroko was huge, towering and intimidating!
The stories surrounding Iroko were such that settlers decided to let it stand and the town grew all around and away from it. Things went on peacefully for a while, but soon it became clear that Iroko did not like the exposure it was getting from the people surrounding it. After all, this tree was the king of the forest, where both trees and animals revered it. Now,standing in the midst of humans,with no one paying it any heed, all of this would change very rapidly.
People, especially those living close to where Iroko stood, started reporting strange happenings around Iroko in the dead of night. Those who were bold enough to come out and watch these happenings, reported seeing dancing and merrymaking around Iroko by people they believed were spirit people. These spirit people went in and out of Iroko as if they were walking in and out of their homes. They sang and danced in merriment from twelve midnight until two in the morning, after which they packed up and walked back into the tree. Those who observed these goings-on, did so from afar and in hiding.
The story was told of a young boy who had the misfortune of being seen by these spirit people. He was taken and was never seen again. He had heard the stories of the happenings around Iroko, so that night he snuck out of his house and walked toward Iroko to take a closer look. Voices were heard warning him not to come closer, but he continued walking toward Iroko until he entered the sphere of the tree where everything turned grey. At that point, the boy lost control of himself and was pulled along until he disappeared in the mist and was seen no more.
The mother watched everything in hiding in paralyzed shock. The other people who watched in hiding were also mystified. They couldn’t believe their eyes, but they dared not allow themselves to be seen.
The next morning, the mother saw a huge striped cow tied to an orange tree in front of her house. The cow was chewing cud. The woman walked around the cow trying to understand how it came to be there. The town people also took notice and started gathering and questioning the presence of the cow. Out of nowhere, a young boy with only a loin cloth around his waist appeared and spoke to the onlookers.
“Mama, Iroko says you should take the cow in exchange for your son. Iroko says you should not kill the cow. You should sell it and use the money to take care of yourself.” With that, the boy turned and walked through the crowd and disappeared.
Everyone there was seized with shock and they quickly dispersed. The woman cut the cow loose and started shooing it off from the front of her house, but the cow would not budge.
The woman started to weep and pleaded with Iroko to return her son and take back the cow.
“Iroko give me back my son and take your cow!” she implored. “I don’t want your cow!”
The next day, the woman saw the cow at the back of her house, peacefully lying down near her hearth and chewing cud. She ran out toward Iroko.
“If you won’t give me back my son, Iroko, take me too!” she screamed at the top of her voice. Iroko’s leaves started to rustle. Suddenly, the old woman in the hut materialized and stood between the woman and Iroko.
“Go back, Mama!” the old woman said. “What you seek cannot be done. Your son is gone, dead and Iroko has paid you in exchange for him. Go back or you will meet the same fate!”
The woman refused to be stopped. She pushed the old woman down, walked over her and continued to approach Iroko. By this time, people had started to gatherand were watching. The woman threw herself at Iroko and just like magic, the onlookers saw sparks of light, like fireworks, all around the woman. They heard her screaming and shouting like someone roasting on a stake. When everything died down and the sparks were no more, the people saw that the woman had metamorphosed. The woman had changed into an animal, something that looked like a dog, or a goat. No one could really tell. The people dispersed but this time they all had one thought in their minds – that Iroko must go.
Iroko’s fame continued to grow even beyond the immediate town. The townspeople also became bolder. They consulted with diviner after divinerto find out how to get rid of Iroko. They tried everything, without any success … one attempt took the lives of twelve men. They tried to burn Iroko down, but the fire turned against them and burned them to death. One diviner suggested that the spirit of Iroko resided in the old woman who tended it, and that if the old woman was killed, Iroko would quietly and slowly die.
The townspeople burned the old woman’s hut down with the old woman in it. The next day, Iroko started taking souls. People started disappearing from their homes, both in broad daylight and at night while they slept.
Finally, an Iroko priest from a distant land told the people how to destroy Iroko.
“Humans should not fight Iroko,” he said. “They should appease Iroko. Iroko trees do not live amongst humans. Before you people started building your town, you should have appeased and pleaded with Iroko to leave your town. As you can see, Iroko was simply minding its own business, when you people decided to invade its privacy. Now you have to sacrifice to Iroko to appease it.”
The townspeople had to pay this priest to come to their town to perform all that was needed to appease Iroko. There is no need to list here all that Iroko demanded, which included the blood of virgins, before it was appeased. The morning after the ceremony by this priest was concluded, the people came out and watched as the inhabitants of Iroko exited one after the other and disappeared; the birds of various families, the giant ants, red and black, dark dangerous black snakes – all came out of Iroko hissing, grumbling, and then poof,like smoke disappeared. But the king of all the animals, a giant Eke python, refused to be dislodged. The people had to pump inflammatory liquid into Iroko and set the python on fire,to dislodge it. It came out rumbling, twisting,and floundering, until it, too, disappeared.
Finally, Iroko was cut down. Mystery upon mystery, not one single hole existed in the cut tree. It was intact with rings showing how many hundreds of years it had stood there.
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Thank you for supporting Joy Nwosu Lo Bamijoko along the WATCH “RWISA” WRITE Showcase Tour today! We ask that if you have enjoyed her writing, please visit her Author Profile on the RWISA site, where you can find more of her writing, along with her contact and social media links, if she’s turned you into a fan.
We ask that you also check out her books in the RWISA catalog. Thanks, again, for your support and we hope that you will follow along each day of this amazing tour of talent by visiting the tour home page! Don’t forget to click the link below to learn more about today’s profiled author:
This piece is in remembrance of my Creative Writing student, Gill Pontin, who suddenly passed away in October 2020. Gill was an artistic dynamo whose enthusiasm, creativity and laughter will be dearly missed. She was a key participant when our group developed a new world, Creedland, and this story is set in Vape Town.
“Whoa, boy.” Blade Driscoll tugged on the reins and pulled his destrier to a halt. He surveyed the outskirts of Vape Town, unsurprised by the ramshackle buildings and pock-marked roads. The air reeked of burnt sugar and the back of Blade’s throat tingled. Between his thighs, Stormbolt shifted, wrinkling his equine nose and shaking his head from side to side. The horse’s plated armour clinked together destroying any attempt at stealth. Blade nudged his mount towards the main street, the sooner he finished his business in this cesspit the better for his sanity.
Pink-eyed townsfolk slunk away from the war horse’s hoof spikes. Pastel smoke billowed from a series of chimney stacks and led him to the front steps of the Crystal Tavern. Scantily clad fairies with tattered wings slouched against the verandah railings. Out of habit, Blade scanned their faces but didn’t recognise any familiar features. He didn’t waste his breath asking after his friend as their vacant stares and pink-tinted irises indicated their minds were lost in a kaleidoscopic haze.
Crystal Pink was manufactured from bog flowers and utterly irresistible to fairies. Its euphoric buzz leached away their magic, attacked the delicate blood vessels in their wings, rendering them flightless, before their bodies swelled to human size. The only way to gain their fix was to enslave themselves to Gurezil Flintsunder, owner of the Crystal Tavern, the unofficial mayor of Vape Town, and the largest whore-master this side of the Despicables. Lowlifes flocked from every dark corner of Creedland to sample the unique fairy delights.
Blade dismounted and left Stormbolt’s reins dangling, ready for a speedy exit. Anyone foolhardy enough to try to steal the stallion would learn how hard the war horse could bite.
Blade checked his weapon inventory. If blood flowed today, he didn’t intend any of it to be his.
Before the saloon doors swung shut behind him Blade tugged a bandanna over his mouth and nose. Steam laced with cotton candy sweetness curled through the dimness. Chunks of crystals simmered in heated ceramic bowls, producing bubbles and sickly fumes. Each table featured glass paraphernalia plugged with multiple hoses. Tendrils of pink smoke escaped from the pipe tips.
Pain pulsed in Blade’s forehead and his eyes watered. He sipped shallow breaths as he scanned the front parlour, counting four patrons slumped in the booths. Their hands grasped the tubes as if they were lifelines. Fools; it was death they courted.
A month ago, he’d rescued Maie Quickthistle from Gurezil’s clutches, sneaking her away while the tavern slumbered. When she’d surfaced from the drug’s grip she’d attacked him like a demented harpy, begging for her next fix. He responded by locking her inside a rented room, but she’d broken out the window and hightailed it back to the Crystal Tavern. After that failure, he decided to change his tactics.
A bartender slumped across the bar and ignored Blade as he slid into an empty booth and shuffled into the shadows. From here he had an unobstructed view of Gurezil’s office door and a ringside seat to the drama he knew was about to unfold. The next bog flower shipment was due within the hour, and he wanted to witness Gurezil Flintsunder’s reaction when he learned his entire crop had been destroyed. The poison had cost Blade his life’s savings but the wizard assured him that this would taint the bog for generations. With one application he’d wiped out the only source of Crystal Pink.
Half an hour later, boots thundered along the passageway and a man hammered his fists on the office door. “Boss, there’s a problem with the latest shipment.”
Gurezil flung the door open and stomped into the hallway. “If those imbeciles have stolen as much as one flower I’ll strip the flesh from their hides and feed it to the fairies.”
“There are no flowers.” The man held out a limp vine. “Something’s wrong with the whole patch.”
Gurezil snatched the vegetation out of the man’s hand, lifted it above his nose, and sniffed it. The blood vessels on his cheeks blazed beetroot. “Stinks of spoiled magic. There’s no time to waste, saddle up the horses and the wagons, we need to salvage what’s left.”
Blade stayed in the shadows until they disappeared outside. Whistling, he ascended the stairs two at a time before gently opening every door along the top corridor. A rush of stale air tainted with the drug’s signature sweetness filtered into the passage. Fairies dozed on bunks, oblivious to his presence as their minds languished in a hypnotic blur. He didn’t desire to be anywhere near Vape Town when their mass withdrawal kicked in. Dealing with one psychotic fairy was enough to test a man’s mettle.
He counted his blessing when he found Maie Quickthistle out cold, making it easier to transfer her onto Stormbolt’s saddle. As a precaution, he bound her hands together and checked her pockets for hidden daggers. Earlier, he’d prepared a campsite in the surrounding woods as he understood the next two days were going to be tough on the both of them.
If he’d known how sharp fairy teeth were he might have reconsidered this rescue plan. Bloody bite marks and grazes marred his forearm and face, and he was sure he was missing a piece of his ear. His ears throbbed from Maie’s constant shrieking, and he hoped she’d have no memory of all the things she’d offered him in exchange for a fix.
After a sleepless 48 hours, his eyes were redder than an addict’s and his thoughts foggy. Maie’s limbs contorted into a fetal knot and whimpers escaped her throat. She was quieter than earlier, but he kept his distance as she’d lured him into striking range before. He yawned and struggled to keep awake. Perhaps he’d snatch a moment’s rest.
Something fluttered against his cheek and Blade wrenched his eyes open. Tiny fairy wings whirred close to his face. He held still as Maie planted a kiss on the tip of his nose. “You saved me.”
Lightness flooded Blade’s soul. “Of course, that’s what friends do.”
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Thank you for supporting Wendy Scott along the WATCH “RWISA” WRITE Showcase Tour today! We ask that if you have enjoyed her writing, please visit her Author Profile on the RWISA site, where you can find more of her writing, along with her contact and social media links, if she’s turned you into a fan.
We ask that you also check out her books in the RWISA catalog. Thanks, again, for your support and we hope that you will follow along each day of this amazing tour of talent by visiting the tour home page! Don’t forget to click the link below to learn more about today’s profiled author: